A
callback is next up the food chain. That
means the field has been narrowed, and you get another opportunity to show what
you can do and further relationships. Next
might be a “first refusal,” meaning you’re in the running (and if you get
another job the same day, you have to let the first client know so s/he can
decide to book you or not). After that
is “on hold” or “on ice,” which according to SAG-AFTRA means you’re due a
cancellation fee if you’re not booked. All
three show your agent and the casting director or client that you brought to
the table what was required, and show all industry professionals involved that
you can do the job. If you don't get selected, it's probably for reasons out of your control,
such as the mix of blondes and brunettes, tall or short, young or older actors required.
Booking
the job is best, of course because you earn money. You get to work with new and/or familiar
actors, clients, production staff and crew, and perhaps have another clip for
your demo reel. Other times, it's exciting because it's a role you really wanted, for someone you've been hoping to work with, or perhaps something you've been wanting to try that's outside your comfort zone .
This
week so far, I have 10 auditions (and a nice mix of VO, on-camera and print
at that), one callback (independent feature film), one first refusal (TV spot),
and a booking for next week.
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